QING DYNASTY, 17TH TO 18TH CENTURY
HEIGHT: 57.5CM
The pear-shaped body is exuberantly inlaid in gold and silver with
horizontal friezes of stylised taotie masks divided by bands of
cicada lappets, between a classic scroll around the rim and a ruyi
band at the foot. The base is set with a plate engraved with an
apocryphal inscription reading Da Ming Xuande wunian zhongchun
Gongbu guanchen Wu Baozuo zao 大明宣德五年仲春工部官臣吳 邦佐造
(“Made by the Minister of the Ministry of Works Wu Bangzuo during
the second month of the fifth year of Xuande in the Ming
dynasty”)
This impressive vase represents a masterful reinvention of archaism
adapted in a new canon of taste by juxtaposing nearly all designs
classic to the decorative repertoire of archaic bronzes with
contemporary motifs. The intricacy and extravagance of the inlays
bear testimony to the remarkable innovation in metalwork technology
and design in the Qing period. Compare a vase from the collection of
Robert E. Kresko, illustrated in Philip K. Hu, Later Chinese
Bronzes: The Saint Louis Art Museum and Robert E. Kresko Collection
, St. Louis, 2008, cat. no. 31.
PROVENANCE
A European Private Collection
清十七至十八世紀 | 銅錯金銀饕餮紋瓶 |
「大明宣德五年仲春工部官臣吳邦佐造」印款 |